The Dryad
We are travelling to Paris to the Exhibition.
Now we are there. That was a journey, a flight without magic. We flew on the wings of steam over the sea and across the land.
Yes, our time is the time of fairy tales.
We are in the midst of Paris, in a great hotel. Blooming flowers ornament the staircases, and soft carpets the floors.
Our room is a very cosy one, and through the open balcony door we have a view of a great square. Spring lives down there; it has come to Paris, and arrived at the same time with us. It has come in the shape of a glorious young chestnut tree, with delicate leaves newly opened. How the tree gleams, dressed in its spring garb, before all the other trees in the place! One of these latter had been struck out of the list of living trees. It lies on the ground with roots exposed. On the place where it stood, the young chestnut tree is to be planted, and to flourish.
It still stands towering aloft on the heavy wagon which has brought it this morning a distance of several miles to Paris. For years it had stood there, in the protection of a mighty oak tree, under which the old venerable clergyman had often sat, with children listening to his stories.
The young chestnut tree had also listened to the stories; for the Dryad who lived in it was a child also. She remembered the time when the tree was so little that it only projected a short way above the grass and ferns around. These were as tall as they would ever be; but the tree grew every year, and enjoyed the air and the sunshine, and drank the dew and the rain. Several times it was also, as it must be, well shaken by the wind and the rain; for that is a part of education.
The Dryad rejoiced in her life, and rejoiced in the sunshine, and the singing of the birds; but she was most rejoiced at human voices; she understood the language of men as well as she understood that of animals.
Butterflies, cockchafers, dragon-flies, everything that could fly came to pay a visit. They could all talk. They told of the village, of the vineyard, of the forest, of the old castle with its parks and canals and ponds. Down in the water dwelt also living beings, which, in their way, could fly under the water from one place to another—beings with knowledge and delineation. They said nothing at all; they were so clever!
And the swallow, who had dived, told about the pretty little goldfish, of the thick turbot, the fat brill, and the old carp. The swallow could describe all that very well, but, “Self is the man,” she said. “One ought to see these things one’s self.” But how was the Dryad ever to see such beings? She was obliged to be satisfied with being able to look over the beautiful country and see the busy industry of men.
It was glorious; but most glorious of all when the old clergyman sat under the oak tree and talked of France, and of the great deeds of her sons and daughters, whose names will be mentioned with admiration through all time.
Then the Dryad heard of the shepherd girl, Joan of Arc, and of Charlotte Corday; she heard about Henry the Fourth, and Napoleon the First; she heard names whose echo sounds in the hearts of the people.
The village children listened attentively, and the Dryad no less attentively; she became a school-child with the rest. In the clouds that went sailing by she saw, picture by picture, everything that she heard talked about. The cloudy sky was her picture-book.
She felt so happy in beautiful France, the fruitful land of genius, with the crater of freedom. But in her heart the sting remained that the bird, that every animal that could fly, was much better off than she. Even the fly could look about more in the world, far beyond the Dryad’s horizon.
France was so great and so glorious, but she could only look across a little piece of it. The land stretched out, world-wide, with vineyards, forests and great cities. Of all these Paris was the most splendid and the mightiest. The birds could get there; but she, never!
Among the village children was a little ragged, poor girl, but a pretty one to look at. She was always laughing or singing and twining red flowers in her black hair.
“Don’t go to Paris!” the old clergyman warned her. “Poor child! if you go there, it will be your ruin.”
But she went for all that.
The Dryad often thought of her; for she had the same wish, and felt the same longing for the great city.
The Dryad’s tree was bearing its first chestnut blossoms; the birds were twittering round them in the most beautiful sunshine. Then a stately carriage came rolling along that way, and in it sat a grand lady driving the spirited, light-footed horses. On the back seat a little smart groom balanced himself. The Dryad knew the lady, and the old clergyman knew her also. He shook his head gravely when he saw her, and said:
“So you went there after all, and it was your ruin, poor Mary!”
“That one poor?” thought the Dryad. “No; she wears a dress fit for a countess” (she had become one in the city of magic changes). “Oh, if I were only there, amid all the splendor and pomp! They shine up into the very clouds at night; when I look up, I can tell in what direction the town lies.”
Towards that direction the Dryad looked every evening. She saw in the dark night the gleaming cloud on the horizon; in the clear moonlight nights she missed the sailing clouds, which showed her pictures of the city and pictures from history.
The child grasps at the picture-books, the Dryad grasped at the cloud-world, her thought-book. A sudden, cloudless sky was for her a blank leaf; and for several days she had only had such leaves before her.
It was in the warm summer-time: not a breeze moved through the glowing hot days. Every leaf, every flower, lay as if it were torpid, and the people seemed torpid, too.
Then the clouds arose and covered the region round about where the gleaming mist announced “Here lies Paris.”
The clouds piled themselves up like a chain of mountains, hurried on through the air, and spread themselves abroad over the whole landscape, as far as the Dryad’s eye could reach.
Like enormous blue-black blocks of rock, the clouds lay piled over one another. Gleams of lightning shot forth from them.
“These also are the servants of the Lord God,” the old clergyman had said. And there came a bluish dazzling flash of lightning, a lighting up as if of the sun itself, which could burst blocks of rock asunder. The lightning struck and split to the roots the old venerable oak. The crown fell asunder. It seemed as if the tree were stretching forth its arms to clasp the messengers of the light.
No bronze cannon can sound over the land at the birth of a royal child as the thunder sounded at the death of the old oak. The rain streamed down; a refreshing wind was blowing; the storm had gone by, and there was quite a holiday glow on all things. The old clergyman spoke a few words for honorable remembrance, and a painter made a drawing, as a lasting record of the tree.
“Everything passes away,” said the Dryad, “passes away like a cloud, and never comes back!”
The old clergyman, too, did not come back. The green roof of his school was gone, and his teaching-chair had vanished. The children did not come; but autumn came, and winter came, and then spring also. In all this change of seasons the Dryad looked toward the region where, at night, Paris gleamed with its bright mist far on the horizon.
Forth from the town rushed engine after engine, train after train, whistling and screaming at all hours in the day. In the evening, towards midnight, at daybreak, and all the day through, came the trains. Out of each one, and into each one, streamed people from the country of every king. A new wonder of the world had summoned them to Paris.
In what form did this wonder exhibit itself?
“A splendid blossom of art and industry,” said one, “has unfolded itself in the Champ de Mars, a gigantic sunflower, from whose petals one can learn geography and statistics, and can become as wise as a lord mayor, and raise one’s self to the level of art and poetry, and study the greatness and power of the various lands.”
“A fairy tale flower,” said another, “a many-colored lotus-plant, which spreads out its green leaves like a velvet carpet over the sand. The opening spring has brought it forth, the summer will see it in all its splendor, the autumn winds will sweep it away, so that not a leaf, not a fragment of its root shall remain.”
In front of the Military School extends in time of peace the arena of war—a field without a blade of grass, a piece of sandy steppe, as if cut out of the Desert of Africa, where Fata Morgana displays her wondrous airy castles and hanging gardens. In the Champ de Mars, however, these were to be seen more splendid, more wonderful than in the East, for human art had converted the airy deceptive scenes into reality.
“The Aladdin’s Palace of the present has been built,” it was said. “Day by day, hour by hour, it unfolds more of its wonderful splendor.”
The endless halls shine in marble and many colors. “Master Bloodless” here moves his limbs of steel and iron in the great circular hall of machinery. Works of art in metal, in stone, in Gobelins tapestry, announce the vitality of mind that is stirring in every land. Halls of paintings, splendor of flowers, everything that mind and skill can create in the workshop of the artisan, has been placed here for show. Even the memorials of ancient days, out of old graves and turf-moors, have appeared at this general meeting.
The overpowering great variegated whole must be divided into small portions, and pressed together like a plaything, if it is to be understood and described.
Like a great table on Christmas Eve, the Champ de Mars carried a wonder-castle of industry and art, and around this knickknacks from all countries had been ranged, knickknacks on a grand scale, for every nation found some remembrance of home.
Here stood the royal palace of Egypt, there the caravanserai of the desert land. The Bedouin had quitted his sunny country, and hastened by on his camel. Here stood the Russian stables, with the fiery glorious horses of the steppe. Here stood the simple straw-thatched dwelling of the Danish peasant, with the Dannebrog flag, next to Gustavus Vasa’s wooden house from Dalarne, with its wonderful carvings. American huts, English cottages, French pavilions, kiosks, theatres, churches, all strewn around, and between them the fresh green turf, the clear springing water, blooming bushes, rare trees, hothouses, in which one might fancy one’s self transported into the tropical forest; whole gardens brought from Damascus, and blooming under one roof. What colors, what fragrance!
Artificial grottoes surrounded bodies of fresh or salt water, and gave a glimpse into the empire of the fishes; the visitor seemed to wander at the bottom of the sea, among fishes and polypi.
“All this,” they said, “the Champ de Mars offers;” and around the great richly-spread table the crowd of human beings moves like a busy swarm of ants, on foot or in little carriages, for not all feet are equal to such a fatiguing journey.
Hither they swarm from morning till late in the evening. Steamer after steamer, crowded with people, glides down the Seine. The number of carriages is continually on the increase. The swarm of people on foot and on horseback grows more and more dense. Carriages and omnibuses are crowded, stuffed and embroidered with people. All these tributary streams flow in one direction—towards the Exhibition. On every entrance the flag of France is displayed; around the world’s bazaar wave the flags of all nations. There is a humming and a murmuring from the hall of the machines; from the towers the melody of the chimes is heard; with the tones of the organs in the churches mingle the hoarse nasal songs from the cafés of the East. It is a kingdom of Babel, a wonder of the world!
In very truth it was. That’s what all the reports said, and who did not hear them? The Dryad knew everything that is told here of the new wonder in the city of cities.
“Fly away, ye birds! fly away to see, and then come back and tell me,” said the Dryad.
The wish became an intense desire—became the one thought of a life. Then, in the quiet silent night, while the full moon was shining, the Dryad saw a spark fly out of the moon’s disc, and fall like a shooting star. And before the tree, whose leaves waved to and fro as if they were stirred by a tempest, stood a noble, mighty, and grand figure. In tones that were at once rich and strong, like the trumpet of the Last Judgment bidding farewell to life and summoning to the great account, it said:
“Thou shalt go to the city of magic; thou shalt take root there, and enjoy the mighty rushing breezes, the air and the sunshine there. But the time of thy life shall then be shortened; the line of years that awaited thee here amid the free nature shall shrink to but a small tale. Poor Dryad! It shall be thy destruction. Thy yearning and longing will increase, thy desire will grow more stormy, the tree itself will be as a prison to thee, thou wilt quit thy cell and give up thy nature to fly out and mingle among men. Then the years that would have belonged to thee will be contracted to half the span of the ephemeral fly, that lives but a day: one night, and thy life-taper shall be blown out—the leaves of the tree will wither and be blown away, to become green never again!”
Thus the words sounded. And the light vanished away, but not the longing of the Dryad. She trembled in the wild fever of expectation.
“I shall go there!” she cried, rejoicingly. “Life is beginning and swells like a cloud; nobody knows whither it is hastening.”
When the gray dawn arose and the moon turned pale and the clouds were tinted red, the wished-for hour struck. The words of promise were fulfilled.
People appeared with spades and poles; they dug round the roots of the tree, deeper and deeper, and beneath it. A wagon was brought out, drawn by many horses, and the tree was lifted up, with its roots and the lumps of earth that adhered to them; matting was placed around the roots, as though the tree had its feet in a warm bag. And now the tree was lifted on the wagon and secured with chains. The journey began—the journey to Paris. There the tree was to grow as an ornament to the city of French glory.
The twigs and the leaves of the chestnut tree trembled in the first moments of its being moved; and the Dryad trembled in the pleasurable feeling of expectation.
“Away! away!” it sounded in every beat of her pulse. “Away! away” sounded in words that flew trembling along. The Dryad forgot to bid farewell to the regions of home; she thought not of the waving grass and of the innocent daisies, which had looked up to her as to a great lady, a young Princess playing at being a shepherdess out in the open air.
The chestnut tree stood upon the wagon, and nodded his branches; whether this meant “farewell” or “forward,” the Dryad knew not; she dreamed only of the marvellous new things, that seemed yet so familiar, and that were to unfold themselves before her. No child’s heart rejoicing in innocence—no heart whose blood danced with passion—had set out on the journey to Paris more full of expectation than she.
Her “farewell” sounded in the words “Away! away!”
The wheels turned; the distant approached; the present vanished. The region was changed, even as the clouds change. New vineyards, forests, villages, villas appeared—came nearer—vanished!
The chestnut tree moved forward, and the Dryad went with it. Steam-engine after steam-engine rushed past, sending up into the air vapory clouds, that formed figures which told of Paris, whence they came, and whither the Dryad was going.
Everything around knew it, and must know whither she was bound. It seemed to her as if every tree she passed stretched out its leaves towards her, with the prayer—“Take me with you! take me with you!” for every tree enclosed a longing Dryad.
What changes during this flight! Houses seemed to be rising out of the earth—more and more—thicker and thicker. The chimneys rose like flower-pots ranged side by side, or in rows one above the other, on the roofs. Great inscriptions in letters a yard long, and figures in various colors, covering the walls from cornice to basement, came brightly out.
“Where does Paris begin, and when shall I be there?” asked the Dryad.
The crowd of people grew; the tumult and the bustle increased; carriage followed upon carriage; people on foot and people on horseback were mingled together; all around were shops on shops, music and song, crying and talking.
The Dryad, in her tree, was now in the midst of Paris. The great heavy wagon all at once stopped on a little square planted with trees. The high houses around had all of them balconies to the windows, from which the inhabitants looked down upon the young fresh chestnut tree, which was coming to be planted here as a substitute for the dead tree that lay stretched on the ground.
The passers-by stood still and smiled in admiration of its pure vernal freshness. The older trees, whose buds were still closed, whispered with their waving branches, “Welcome! welcome!” The fountain, throwing its jet of water high up in the air, to let it fall again in the wide stone basin, told the wind to sprinkle the new-comer with pearly drops, as if it wished to give him a refreshing draught to welcome him.
The Dryad felt how her tree was being lifted from the wagon to be placed in the spot where it was to stand. The roots were covered with earth, and fresh turf was laid on top. Blooming shrubs and flowers in pots were ranged around; and thus a little garden arose in the square.
The tree that had been killed by the fumes of gas, the steam of kitchens, and the bad air of the city, was put upon the wagon and driven away. The passers-by looked on. Children and old men sat upon the bench, and looked at the green tree. And we who are telling this story stood upon a balcony, and looked down upon the green spring sight that had been brought in from the fresh country air, and said, what the old clergyman would have said, “Poor Dryad!”
“I am happy! I am happy!” the Dryad cried, rejoicing; “and yet I cannot realize, cannot describe what I feel. Everything is as I fancied it, and yet as I did not fancy it.”
The houses stood there, so lofty, so close! The sunlight shone on only one of the walls, and that one was stuck over with bills and placards, before which the people stood still; and this made a crowd.
Carriages rushed past, carriages rolled past; light ones and heavy ones mingled together. Omnibuses, those over-crowded moving houses, came rattling by; horsemen galloped among them; even carts and wagons asserted their rights.
The Dryad asked herself if these high-grown houses, which stood so close around her, would not remove and take other shapes, like the clouds in the sky, and draw aside, so that she might cast a glance into Paris, and over it. Notre Dame must show itself, the Vendôme Column, and the wondrous building which had called and was still calling so many strangers to the city.
But the houses did not stir from their places. It was yet day when the lamps were lit. The gas-jets gleamed from the shops, and shone even into the branches of the trees, so that it was like sunlight in summer. The stars above made their appearance, the same to which the Dryad had looked up in her home. She thought she felt a clear pure stream of air which went forth from them. She felt herself lifted up and strengthened, and felt an increased power of seeing through every leaf and through every fibre of the root. Amid all the noise and the turmoil, the colors and the lights, she knew herself watched by mild eyes.
From the side streets sounded the merry notes of fiddles and wind instruments. Up! to the dance, to the dance! to jollity and pleasure! that was their invitation. Such music it was, that horses, carriages, trees, and houses would have danced, if they had known how. The charm of intoxicating delight filled the bosom of the Dryad.
“How glorious, how splendid it is!” she cried, rejoicingly. “Now I am in Paris!”
The next day that dawned, the next night that fell, offered the same spectacle, similar bustle, similar life; changing, indeed, yet always the same; and thus it went on through the sequence of days.
“Now I know every tree, every flower on the square here! I know every house, every balcony, every shop in this narrow cut-off corner, where I am denied the sight of this great mighty city. Where are the arches of triumph, the Boulevards, the wondrous building of the world? I see nothing of all this. As if shut up in a cage, I stand among the high houses, which I now know by heart, with their inscriptions, signs, and placards; all the painted confectionery, that is no longer to my taste. Where are all the things of which I heard, for which I longed, and for whose sake I wanted to come hither? what have I seized, found, won? I feel the same longing I felt before; I feel that there is a life I should wish to grasp and to experience. I must go out into the ranks of living men, and mingle among them. I must fly about like a bird. I must see and feel, and become human altogether. I must enjoy the one half-day, instead of vegetating for years in every-day sameness and weariness, in which I become ill, and at last sink and disappear like the dew on the meadows. I will gleam like the cloud, gleam in the sunshine of life, look out over the whole like the cloud, and pass away like it, no one knoweth whither.”
Thus sighed the Dryad; and she prayed:
“Take from me the years that were destined for me, and give me but half of the life of the ephemeral fly! Deliver me from my prison! Give me human life, human happiness, only a short span, only the one night, if it cannot be otherwise; and then punish me for my wish to live, my longing for life! Strike me out of thy list. Let my shell, the fresh young tree, wither, or be hewn down, and burnt to ashes, and scattered to all the winds!”
A rustling went through the leaves of the tree; there was a trembling in each of the leaves; it seemed as if fire streamed through it. A gust of wind shook its green crown, and from the midst of that crown a female figure came forth. In the same moment she was sitting beneath the brightly-illuminated leafy branches, young and beautiful to behold, like poor Mary, to whom the clergyman had said, “The great city will be thy destruction.”
The Dryad sat at the foot of the tree—at her house door, which she had locked, and whose key had thrown away. So young! so fair! The stars saw her, and blinked at her. The gas-lamps saw her, and gleamed and beckoned to her. How delicate she was, and yet how blooming!—a child, and yet a grown maiden! Her dress was fine as silk, green as the freshly-opened leaves on the crown of the tree; in her nut-brown hair clung a half-opened chestnut blossom. She looked like the Goddess of Spring.
For one short minute she sat motionless; then she sprang up, and, light as a gazelle, she hurried away. She ran and sprang like the reflection from the mirror that, carried by the sunshine, is cast, now here, now there. Could any one have followed her with his eyes, he would have seen how marvellously her dress and her form changed, according to the nature of the house or the place whose light happened to shine upon her.
She reached the Boulevards. Here a sea of light streamed forth from the gas-flames of the lamps, the shops and the cafés. Here stood in a row young and slender trees, each of which concealed its Dryad, and gave shade from the artificial sunlight. The whole vast pavement was one great festive hall, where covered tables stood laden with refreshments of all kinds, from champagne and Chartreuse down to coffee and beer. Here was an exhibition of flowers, statues, books, and colored stuffs.
From the crowd close by the lofty houses she looked forth over the terrific stream beyond the rows of trees. Yonder heaved a stream of rolling carriages, cabriolets, coaches, omnibuses, cabs, and among them riding gentlemen and marching troops. To cross to the opposite shore was an undertaking fraught with danger to life and limb. Now lanterns shed their radiance abroad; now the gas had the upper hand; suddenly a rocket rises! Whence? Whither?
Here are sounds of soft Italian melodies; yonder, Spanish songs are sung, accompanied by the rattle of the castanets; but strongest of all, and predominating over the rest, the street-organ tunes of the moment, the exciting “Can-Can” music, which Orpheus never knew, and which was never heard by the “Belle Helénè.” Even the barrow was tempted to hop upon one of its wheels.
The Dryad danced, floated, flew, changing her color every moment, like a humming-bird in the sunshine; each house, with the world belonging to it, gave her its own reflections.
As the glowing lotus-flower, torn from its stem, is carried away by the stream, so the Dryad drifted along. Whenever she paused, she was another being, so that none was able to follow her, to recognize her, or to look more closely at her.
Like cloud-pictures, all things flew by her. She looked into a thousand faces, but not one was familiar to her; she saw not a single form from home. Two bright eyes had remained in her memory. She thought of Mary, poor Mary, the ragged merry child, who wore the red flowers in her black hair. Mary was now here, in the world-city, rich and magnificent as in that day when she drove past the house of the old clergyman, and past the tree of the Dryad, the old oak.
Here she was certainly living, in the deafening tumult. Perhaps she had just stepped out of one of the gorgeous carriages in waiting. Handsome equipages, with coachmen in gold braid and footmen in silken hose, drove up. The people who alighted from them were all richly-dressed ladies. They went through the opened gate, and ascended the broad staircase that led to a building resting on marble pillars. Was this building, perhaps, the wonder of the world? There Mary would certainly be found.
“Sancta Maria!” resounded from the interior. Incense floated through the lofty painted and gilded aisles, where a solemn twilight reigned.
It was the Church of the Madeleine.
Clad in black garments of the most costly stuffs, fashioned according to the latest mode, the rich feminine world of Paris glided across the shining pavement. The crests of the proprietors were engraved on silver shields on the velvet-bound prayer-books, and embroidered in the corners of perfumed handkerchiefs bordered with Brussels lace. A few of the ladies were kneeling in silent prayer before the altars; others resorted to the confessionals.
Anxiety and fear took possession of the Dryad; she felt as if she had entered a place where she had no right to be. Here was the abode of silence, the hall of secrets. Everything was said in whispers, every word was a mystery.
The Dryad saw herself enveloped in lace and silk, like the women of wealth and of high birth around her. Had, perhaps, every one of them a longing in her breast, like the Dryad?
A deep, painful sigh was heard. Did it escape from some confessional in a distant corner, or from the bosom of the Dryad? She drew the veil closer around her; she breathed incense, and not the fresh air. Here was not the abiding-place of her longing.
Away! away—a hastening without rest. The ephemeral fly knows not repose, for her existence is flight.
She was out again among the gas candelabra, by a magnificent fountain.
“All its streaming waters are not able to wash out the innocent blood that was spilt here.”
Such were the words spoken. Strangers stood around, carrying on a lively conversation, such as no one would have dared to carry on in the gorgeous hall of secrets whence the Dryad came.
A heavy stone slab was turned and then lifted. She did not understand why. She saw an opening that led into the depths below. The strangers stepped down, leaving the starlit air and the cheerful life of the upper world behind them.
“I am afraid,” said one of the women who stood around, to her husband, “I cannot venture to go down, nor do I care for the wonders down yonder. You had better stay here with me.”
“Indeed, and travel home,” said the man, “and quit Paris without having seen the most wonderful thing of all—the real wonder of the present period, created by the power and resolution of one man!”
“I will not go down for all that,” was the reply.
“The wonder of the present time,” it had been called. The Dryad had heard and had understood it. The goal of her ardent longing had thus been reached, and here was the entrance to it. Down into the depths below Paris? She had not thought of such a thing; but now she heard it said, and saw the strangers descending, and went after them.
The staircase was of cast iron, spiral, broad and easy. Below there burned a lamp, and farther down, another. They stood in a labyrinth of endless halls and arched passages, all communicating with each other. All the streets and lanes of Paris were to be seen here again, as in a dim reflection. The names were painted up; and every, house above had its number down here also, and struck its roots under the macadamized quays of a broad canal, in which the muddy water flowed onward. Over it the fresh streaming water was carried on arches; and quite at the top hung the tangled net of gas-pipes and telegraph-wires.
In the distance lamps gleamed, like a reflection from the world-city above. Every now and then a dull rumbling was heard. This came from the heavy wagons rolling over the entrance bridges.
Whither had the Dryad come?
You have, no doubt, heard of the CATACOMBS? Now they are vanishing points in that new underground world—that wonder of the present day—the sewers of Paris. The Dryad was there, and not in the world’s Exhibition in the Champ de Mars.
She heard exclamations of wonder and admiration.
“From here go forth health and life for thousands upon thousands up yonder! Our time is the time of progress, with its manifold blessings.”
Such was the opinion and the speech of men; but not of those creatures who had been born here, and who built and dwelt here—of the rats, namely, who were squeaking to one another in the clefts of a crumbling wall, quite plainly, and in a way the Dryad understood well.
A big old Father-Rat, with his tail bitten off, was relieving his feelings in loud squeaks; and his family gave their tribute of concurrence to every word he said:
“I am disgusted with this man-mewing,” he cried—“with these outbursts of ignorance. A fine magnificence, truly! all made up of gas and petroleum! I can’t eat such stuff as that. Everything here is so fine and bright now, that one’s ashamed of one’s self, without exactly knowing why. Ah, if we only lived in the days of tallow candles! and it does not lie so very far behind us. That was a romantic time, as one may say.”
“What are you talking of there?” asked the Dryad. “I have never seen you before. What is it you are talking about?”
“Of the glorious days that are gone,” said the Rat—“of the happy time of our great-grandfathers and great-grandmothers. Then it was a great thing to get down here. That was a rat’s nest quite different from Paris. Mother Plague used to live here then; she killed people, but never rats. Robbers and smugglers could breathe freely here. Here was the meeting-place of the most interesting personages, whom one now only gets to see in the theatres where they act melodrama, up above. The time of romance is gone even in our rat’s nest; and here also fresh air and petroleum have broken in.”
A carriage stopped, a kind of open omnibus, drawn by swift horses. The company mounted and drove away along the Boulevard de Sebastopol, that is to say, the underground boulevard, over which the well-known crowded street of that name extended.
The carriage disappeared in the twilight; the Dryad disappeared, lifted to the cheerful freshness above. Here, and not below in the vaulted passages, filled with heavy air, the wonder work must be found which she was to seek in her short lifetime. It must gleam brighter than all the gas-flames, stronger than the moon that was just gliding past.
Yes, certainly, she saw it yonder in the distance, it gleamed before her, and twinkled and glittered like the evening star in the sky.
She saw a glittering portal open, that led to a little garden, where all was brightness and dance music. Colored lamps surrounded little lakes, in which were water-plants of colored metal, from whose flowers jets of water spurted up. Beautiful weeping willows, real products of spring, hung their fresh branches over these lakes like a fresh, green, transparent, and yet screening veil. In the bushes burnt an open fire, throwing a red twilight over the quiet huts of branches, into which the sounds of music penetrated—an ear tickling, intoxicating music, that sent the blood coursing through the veins.
Beautiful girls in festive attire, with pleasant smiles on their lips, and the light spirit of youth in their hearts—“Marys,” with roses in their hair, but without carriage and postilion—flitted to and fro in the wild dance.
Where were the heads, where the feet? As if stung by tarantulas, they sprang, laughed, rejoiced, as if in their ecstacies they were going to embrace all the world.
The Dryad felt herself torn with them into the whirl of the dance. Round her delicate foot clung the silken boot, chestnut brown in color, like the ribbon that floated from her hair down upon her bare shoulders. The green silk dress waved in large folds, but did not entirely hide the pretty foot and ankle.
Had she come to the enchanted Garden of Armida? What was the name of the place?
The name glittered in gas-jets over the entrance. It was “Mabille.”
The soaring upwards of rockets, the splashing of fountains, and the popping of champagne corks accompanied the wild bacchantic dance. Over the whole glided the moon through the air, clear, but with a somewhat crooked face.
A wild joviality seemed to rush through the Dryad, as though she were intoxicated with opium. Her eyes spoke, her lips spoke, but the sound of violins and of flutes drowned the sound of her voice. Her partner whispered words to her which she did not understand, nor do we understand them. He stretched out his arms to draw her to him, but he embraced only the empty air.
The Dryad had been carried away, like a rose-leaf on the wind. Before her she saw a flame in the air, a flashing light high up on a tower. The beacon light shone from the goal of her longing, shone from the red lighthouse tower of the Fata Morgana of the Champ de Mars. Thither she was carried by the wind. She circled round the tower; the workmen thought it was a butterfly that had come too early, and that now sank down dying.
The moon shone bright, gas-lamps spread light around, through the halls, over the all-world’s buildings scattered about, over the rose-hills and the rocks produced by human ingenuity, from which waterfalls, driven by the power of “Master Bloodless,” fell down. The caverns of the sea, the depths of the lakes, the kingdom of the fishes were opened here. Men walked as in the depths of the deep pond, and held converse with the sea, in the diving-bell of glass. The water pressed against the strong glass walls above and on every side. The polypi, eel-like living creatures, had fastened themselves to the bottom, and stretched out arms, fathoms long, for prey. A big turbot was making himself broad in front, quietly enough, but not without casting some suspicious glances aside. A crab clambered over him, looking like a gigantic spider, while the shrimps wandered about in restless haste, like the butterflies and moths of the sea.
In the fresh water grew water-lilies, nymphaea, and reeds; the gold-fishes stood up below in rank and file, all turning their heads one way, that the streaming water might flow into their mouths. Fat carps stared at the glass wall with stupid eyes. They knew that they were here to be exhibited, and that they had made the somewhat toilsome journey hither in tubs filled with water; and they thought with dismay of the land-sickness from which they had suffered so cruelly on the railway.
They had come to see the Exhibition, and now contemplated it from their fresh or salt-water position. They looked attentively at the crowds of people who passed by them early and late. All the nations in the world, they thought, had made an exhibition of their inhabitants, for the edification of the soles and haddocks, pike and carp, that they might give their opinions upon the different kinds.
“Those are scaly animals” said a little slimy Whiting. “They put on different scales two or three times a day, and they emit sounds which they call speaking. We don’t put on scales, and we make ourselves understood in an easier way, simply by twitching the corners of our mouths and staring with our eyes. We have a great many advantages over mankind.”
“But they have learned swimming of us,” remarked a well-educated Codling. “You must know I come from the great sea outside. In the hot time of the year the people yonder go into the water; first they take off their scales, and then they swim. They have learnt from the frogs to kick out with their hind legs, and row with their fore paws. But they cannot hold out long. They want to be like us, but they cannot come up to us. Poor people!”
And the fishes stared. They thought that the whole swarm of people whom they had seen in the bright daylight were still moving around them; they were certain they still saw the same forms that had first caught their attention.
A pretty Barbel, with spotted skin, and an enviably round back, declared that the “human fry” were still there.
“I can see a well set-up human figure quite well,” said the Barbel. “She was called ‘contumacious lady,’ or something of that kind. She had a mouth and staring eyes, like ours, and a great balloon at the back of her head, and something like a shut-up umbrella in front; there were a lot of dangling bits of seaweed hanging about her. She ought to take all the rubbish off, and go as we do; then she would look something like a respectable barbel, so far as it is possible for a person to look like one!”
“What’s become of that one whom they drew away with the hook? He sat on a wheel-chair, and had paper, and pen, and ink, and wrote down everything. They called him a ‘writer.’”
“They’re going about with him still,” said a hoary old maid of a Carp, who carried her misfortune about with her, so that she was quite hoarse. In her youth she had once swallowed a hook, and still swam patiently about with it in her gullet. “A writer? That means, as we fishes describe it, a kind of cuttle or ink-fish among men.”
Thus the fishes gossipped in their own way; but in the artificial water-grotto the laborers were busy; who were obliged to take advantage of the hours of night to get their work done by daybreak. They accompanied with blows of their hammers and with songs the parting words of the vanishing Dryad.
“So, at any rate, I have seen you, you pretty gold-fishes,” she said. “Yes, I know you;” and she waved her hand to them. “I have known about you a long time in my home; the swallow told me about you. How beautiful you are! how delicate and shining! I should like to kiss every one of you. You others, also. I know you all; but you do not know me.”
The fishes stared out into the twilight. They did not understand a word of it.
The Dryad was there no longer. She had been a long time in the open air, where the different countries—the country of black bread, the codfish coast, the kingdom of Russia leather, and the banks of eau-de-Cologne, and the gardens of rose oil—exhaled their perfumes from the world-wonder flower.
When, after a night at a ball, we drive home half asleep and half awake, the melodies still sound plainly in our ears; we hear them, and could sing them all from memory. When the eye of the murdered man closes, the picture of what it saw last clings to it for a time like a photographic picture.
So it was likewise here. The bustling life of day had not yet disappeared in the quiet night. The Dryad had seen it; she knew, thus it will be repeated tomorrow.
The Dryad stood among the fragrant roses, and thought she knew them, and had seen them in her own home. She also saw red pomegranate flowers, like those that little Mary had worn in her dark hair.
Remembrances from the home of her childhood flashed through her thoughts; her eyes eagerly drank in the prospect around, and feverish restlessness chased her through the wonder-filled halls.
A weariness that increased continually, took possession of her. She felt a longing to rest on the soft Oriental carpets within, or to lean against the weeping willow without by the clear water. But for the ephemeral fly there was no rest. In a few moments the day had completed its circle.
Her thoughts trembled, her limbs trembled, she sank down on the grass by the bubbling water.
“Thou wilt ever spring living from the earth,” she said mournfully. “Moisten my tongue—bring me a refreshing draught.”
“I am no living water,” was the answer. “I only spring upward when the machine wills it.”
“Give me something of thy freshness, thou green grass,” implored the Dryad; “give me one of thy fragrant flowers.”
“We must die if we are torn from our stalks,” replied the Flowers and the Grass.
“Give me a kiss, thou fresh stream of air—only a single life-kiss.”
“Soon the sun will kiss the clouds red,” answered the Wind; “then thou wilt be among the dead—blown away, as all the splendor here will be blown away before the year shall have ended. Then I can play again with the light loose sand on the place here, and whirl the dust over the land and through the air. All is dust!”
The Dryad felt a terror like a woman who has cut asunder her pulse-artery in the bath, but is filled again with the love of life, even while she is bleeding to death. She raised herself, tottered forward a few steps, and sank down again at the entrance to a little church. The gate stood open, lights were burning upon the altar, and the organ sounded.
What music! Such notes the Dryad had never yet heard; and yet it seemed to her as if she recognized a number of well-known voices among them. They came deep from the heart of all creation. She thought she heard the stories of the old clergyman, of great deeds, and of the celebrated names, and of the gifts that the creatures of God must bestow upon posterity, if they would live on in the world.
The tones of the organ swelled, and in their song there sounded these words:
“Thy wishing and thy longing have torn thee, with thy roots, from the place which God appointed for thee. That was thy destruction, thou poor Dryad!”
The notes became soft and gentle, and seemed to die away in a wail.
In the sky the clouds showed themselves with a ruddy gleam. The Wind sighed:
“Pass away, ye dead! now the sun is going to rise!”
The first ray fell on the Dryad. Her form was irradiated in changing colors, like the soap-bubble when it is bursting and becomes a drop of water; like a tear that falls and passes away like a vapor.
Poor Dryad! Only a dew-drop, only a tear, poured upon the earth, and vanished away!
N the garden all the apple-trees were in blossom. They had hastened to bring forth flowers before they got green leaves, and in the yard all the ducklings walked up and down, and the cat too: it basked in the sun and licked the sunshine from its own paws. And when one looked at the fields, how beautifully the corn stood and how green it shone, without comparison! and there was a twittering and a fluttering of all the little birds, as if the day were a great festival; and so it was, for it was Sunday. All the bells were ringing, and all the people went to church, looking cheerful, and dressed in their best clothes. There was a look of cheerfulness on everything. The day was so warm and beautiful that one might well have said: “God’s kindness to us men is beyond all limits.” But inside the church the pastor stood in the pulpit, and spoke very loudly and angrily. He said that all men were wicked, and God would punish them for their sins, and that the wicked, when they died, would be cast into hell, to burn for ever and ever. He spoke very excitedly, saying that their evil propensities would not be destroyed, nor would the fire be extinguished, and they should never find rest. That was terrible to hear, and he said it in such a tone of conviction; he described hell to them as a miserable hole where all the refuse of the world gathers. There was no air beside the hot burning sulphur flame, and there was no ground under their feet; they, the wicked ones, sank deeper and deeper, while eternal silence surrounded them! It was dreadful to hear all that, for the preacher spoke from his heart, and all the people in the church were terrified. Meanwhile, the birds sang merrily outside, and the sun was shining so beautifully warm, it seemed as though every little flower said: “God, Thy kindness towards us all is without limits.” Indeed, outside it was not at all like the pastor’s sermon.
The same evening, upon going to bed, the pastor noticed his wife sitting there quiet and pensive.
“What is the matter with you?” he asked her.
“Well, the matter with me is,” she said, “that I cannot collect my thoughts, and am unable to grasp the meaning of what you said to-day in church—that there are so many wicked people, and that they should burn eternally. Alas! eternally—how long! I am only a woman and a sinner before God, but I should not have the heart to let even the worst sinner burn for ever, and how could our Lord to do so, who is so infinitely good, and who knows how the wickedness comes from without and within? No, I am unable to imagine that, although you say so.”
It was autumn; the trees dropped their leaves, the earnest and severe pastor sat at the bedside of a dying person. A pious, faithful soul closed her eyes for ever; she was the pastor’s wife.
...“If any one shall find rest in the grave and mercy before our Lord you shall certainly do so,” said the pastor. He folded her hands and read a psalm over the dead woman.
She was buried; two large tears rolled over the cheeks of the earnest man, and in the parsonage it was empty and still, for its sun had set for ever. She had gone home.
It was night. A cold wind swept over the pastor’s head; he opened his eyes, and it seemed to him as if the moon was shining into his room. It was not so, however; there was a being standing before his bed, and looking like the ghost of his deceased wife. She fixed her eyes upon him with such a kind and sad expression, just as if she wished to say something to him. The pastor raised himself in bed and stretched his arms towards her, saying, “Not even you can find eternal rest! You suffer, you best and most pious woman?”
The dead woman nodded her head as if to say “Yes,” and put her hand on her breast.
“And can I not obtain rest in the grave for you?”
“Yes,” was the answer.
“And how?”
“Give me one hair—only one single hair—from the head of the sinner for whom the fire shall never be extinguished, of the sinner whom God will condemn to eternal punishment in hell.”
“Yes, one ought to be able to redeem you so easily, you pure, pious woman,” he said.
“Follow me,” said the dead woman. “It is thus granted to us. By my side you will be able to fly wherever your thoughts wish to go. Invisible to men, we shall penetrate into their most secret chambers; but with sure hand you must find out him who is destined to eternal torture, and before the cock crows he must be found!” As quickly as if carried by the winged thoughts they were in the great city, and from the walls the names of the deadly sins shone in flaming letters: pride, avarice, drunkenness, wantonness—in short, the whole seven-coloured bow of sin.
“Yes, therein, as I believed, as I knew it,” said the pastor, “are living those who are abandoned to the eternal fire.” And they were standing before the magnificently illuminated gate; the broad steps were adorned with carpets and flowers, and dance music was sounding through the festive halls. A footman dressed in silk and velvet stood with a large silver-mounted rod near the entrance.
“Our ball can compare favourably with the king’s,” he said, and turned with contempt towards the gazing crowd in the street. What he thought was sufficiently expressed in his features and movements: “Miserable beggars, who are looking in, you are nothing in comparison to me.”
“Pride,” said the dead woman; “do you see him?”
“The footman?” asked the pastor. “He is but a poor fool, and not doomed to be tortured eternally by fire!”
“Only a fool!” It sounded through the whole house of pride: they were all fools there.
Then they flew within the four naked walls of the miser. Lean as a skeleton, trembling with cold, and hunger, the old man was clinging with all his thoughts to his money. They saw him jump up feverishly from his miserable couch and take a loose stone out of the wall; there lay gold coins in an old stocking. They saw him anxiously feeling over an old ragged coat in which pieces of gold were sewn, and his clammy fingers trembled.
“He is ill! That is madness—a joyless madness—besieged by fear and dreadful dreams!”
They quickly went away and came before the beds of the criminals; these unfortunate people slept side by side, in long rows. Like a ferocious animal, one of them rose out of his sleep and uttered a horrible cry, and gave his comrade a violent dig in the ribs with his pointed elbow, and this one turned round in his sleep:
“Be quiet, monster—sleep! This happens every night!”
“Every night!” repeated the other. “Yes, every night he comes and tortures me! In my violence I have done this and that. I was born with an evil mind, which has brought me hither for the second time; but if I have done wrong I suffer punishment for it. One thing, however, I have not yet confessed. When I came out a little while ago, and passed by the yard of my former master, evil thoughts rose within me when I remembered this and that. I struck a match a little bit on the wall; probably it came a little too close to the thatched roof. All burnt down—a great heat rose, such as sometimes overcomes me. I myself helped to rescue cattle and things, nothing alive burnt, except a flight of pigeons, which flew into the fire, and the yard dog, of which I had not thought; one could hear him howl out of the fire, and this howling I still hear when I wish to sleep; and when I have fallen asleep, the great rough dog comes and places himself upon me, and howls, presses, and tortures me. Now listen to what I tell you! You can snore; you are snoring the whole night, and I hardly a quarter of an hour!” And the blood rose to the head of the excited criminal; he threw himself upon his comrade, and beat him with his clenced fist in the face.
“Wicked Matz has become mad again!” they said amongst themselves. The other criminals seized him, wrestled with him, and bent him double, so that his head rested between his knees, and they tied him, so that the blood almost came out of his eyes and out of all his pores.
“You are killing the unfortunate man,” said the pastor, and as he stretched out his hand to protect him who already suffered too much, the scene changed. They flew through rich halls and wretched hovels; wantonness and envy, all the deadly sins, passed before them. An angel of justice read their crimes and their defence; the latter was not a brilliant one, but it was read before God, Who reads the heart, Who knows everything, the wickedness that comes from within and from without, Who is mercy and love personified. The pastor’s hand trembled; he dared not stretch it out, he did not venture to pull a hair out of the sinner’s head. And tears gushed from his eyes like a stream of mercy and love, the cooling waters of which extinguished the eternal fire of hell.
Just then the cock crowed.
“Father of all mercy, grant Thou to her the peace that I was unable to procure for her!”
“I have it now!” said the dead woman. “It was your hard words, your despair of mankind, your gloomy belief in God and His creation, which drove me to you. Learn to know mankind! Even in the wicked one lives a part of God—and this extinguishes and conquers the flame of hell!”
The pastor felt a kiss on his lips; a gleam of light surrounded him—God’s bright sun shone into the room, and his wife, alive, sweet and full of love, awoke him from a dream which God had sent him!
PRIZE, or rather two prizes, a great one and a small one, had been awarded for the greatest swiftness in running,—not in a single race, but for the whole year.
“I obtained the first prize,” said the hare. “Justice must still be carried out, even when one has relations and good friends among the prize committee; but that the snail should have received the second prize, I consider almost an insult to myself”
“No,” said the fence-rail, who had been a witness at the distribution of prizes; “there should be some consideration for industry and perseverance. I have heard many respectable people say so, and I can quite understand it. The snail certainly took half a year to get over the threshold of the door; but he injured himself, and broke his collar-bone by the haste he made. He gave himself up entirely to the race, and ran with his house on his back, which was all, of course, very praiseworthy; and therefore he obtained the second prize.”
“I think I ought to have had some consideration too,” said the swallow. “I should imagine no one can be swifter in soaring and flight than I am; and how far I have fared, far away.”
“Yes, that is your misfortune,” said the fence-rail; “you are so fickle, so unsettled; you must always be travelling about into foreign lands when the cold commences here. You have no love of fatherland in you. There can be no consideration for you.”
“But now, if I have lyed the whole winter in the moor,” said the swallow, “and suppose I slept the whole time, would that be taken into account?”
“Bring a certificate from the old moor-hen,” said he, “that you have slept away half your time in fatherland; then you will be treated with some consideration.”
“I deserved the first prize, and not the second,” said the snail. “I know so much, at least, that the hare only ran from cowardice, and because he thought there was danger in delay. I, on the other hand, made running the business of my life, and have become a cripple in the service. If any one had a first prize, it ought to have been myself. But I do not understand chattering and boasting; on the contrary, I despise it.” And the snail spat at them with contempt.
“I am able to affirm with word of oath, that each prize—at least, those for which I has voted—was given with just and proper consideration,” said the old boundary post in the wood, who was a member of the committee of judges. “I always act with due order, consideration, and calculation. Seven times have I already had the honor to be present at the distribution of the prizes, and to vote; but to-day is the first time I have been able to carry out my will. I always reckon the first prize by going through the alphabet from the beginning, and the second by going through from the end. Be so kind as to give me your attention, and I will explain to you how I reckon from the beginning. The eighth letter from A is H, and there we have H for hare; therefore I awarded to the hare the first prize. The eighth letter from the end of the alphabet is S, and therefore the snail received the second prize. Next year, the letter I will have its turn for the first prize, and the letter R for the second.”
“I should really have voted for myself,” said the mule, “if I had not been one of the judges on the committee. Not only the rapidity with which advance is made, but every other quality should have due consideration; as, for instance, how much weight a candidate is able to draw; but I have not brought this quality forward now, nor the sagacity of the hare in his flight, nor the cunning with which he suddenly springs aside and doubles, to lead people on a false track, thinking he has concealed himself. No; there is something else on which more stress should be laid, and which ought not be left unnoticed. I mean that which mankind call the beautiful. It is on the beautiful that I particularly fix my eyes. I observed the well-grown ears of the hare; it is a pleasure to me to observe how long they are. It seemed as if I saw myself again in the days of my childhood; and so I voted for the hare.”
“Buz,” said the fly; “there, I’m not going to make a long speech; but I wish to say something about hares. I have really overtaken more than one hare, when I have been seated on the engine in front of a railway train. I often do so. One can then so easily judge of one’s own swiftness. Not long ago, I crushed the hind legs of a young hare. He had been running a long time before the engine; he had no idea that I was travelling there. At last he had to stop in his career, and the engine ran over his hind legs, and crushed them; for I set upon it. I left him lying there, and rode on farther. I call that conquering him; but I do not want the prize.”
“It really seems to me,” thought the wild rose, though she did not express her opinion aloud—it is not in her nature to do so,—though it would have been quite as well if she had; “it certainly seems to me that the sunbeam ought to have had the honor of receiving the first prize. The sunbeam flies in a few minutes along the immeasurable path from the sun to us. It arrives in such strength, that all nature awakes to loveliness and beauty; we roses blush and exhale fragrance in its presence. Our worshipful judges don’t appear to have noticed this at all. Were I the sunbeam, I would give each one of them a sun stroke; but that would only make them mad, and they are mad enough already. I only hope,” continued the rose, “that peace may reign in the wood. It is glorious to bloom, to be fragrant, and to live; to live in story and in song. The sunbeam will outlive us all.”
“What is the first prize?” asked the earthworm, who had overslept the time, and only now came up.
“It contains a free admission to a cabbage-garden,” replied the mule. “I proposed that as one of the prizes. The hare most decidedly must have it; and I, as an active and thoughtful member of the committee, took especial care that the prize should be one of advantage to him; so now he is provided for. The snail can now sit on the fence, and lick up moss and sunshine. He has also been appointed one of the first judges of swiftness in racing. It is worth much to know that one of the members is a man of talent in the thing men call a ‘committee.’ I must say I expect much in the future; we have already made such a good beginning.”
HERE was once a big wax-candle which knew its own importance quite well.
“I am born of wax and moulded in a shape,” it said “I give better light and burn longer than other candles my place is in a chandelier or on a silver candlestick!”
“That must be a lovely existence!” said the tallow-candle. “I am only made of tallow, but I comfort myself with the thought that it is always a little better than being a farthing dip: that is only dipped twice, and I am dipped eight times to get my proper thickness. I am content! it is certainly finer and more fortunate to be born of wax instead of tallow, but one does not settle one’s own place in this world. You are placed in the big room in the glass chandelier, I remain in the kitchen, but that is also a good place; from there the whole house gets its food.”
“But there is something which is more important than food,” said the wax-candle. “Society! to see it shine, and to shine oneself! There is a ball this evening, and soon I and all my family will be fetched.”
Scarcely was the word spoken, when all the wax-candles were fetched, but the tallow-candle also went with them. The lady herself took it in her dainty hand, and carried it out to the kitchen: a little boy stood there with a basket, which was filled with potatoes; two or three apples also found their way there. The good lady gave all this to the poor boy.
“There is a candle for you as well, my little friend,” said she. “Your mother sits and works till late in the night; she can use it!”
The little daughter of the house stood close by, and when she heard the words “late in the night,” she said with great delight, “I also shall stay up till late in the night! We shall have a ball, and I shall wear My big red sash!;” How her face shone! that was with joy! No wax-candle can shine like two childish eyes!
“That is a blessing to see,” thought the tallow-candle; “I shall never forget it, and I shall certainly never see it again.”
And so it was laid in the basket, under the lid, and the boy went away with it.
“Where shall I go now?” thought the candle; “I shall go to poor people, and perhaps not even get a brass candlestick, while the wax-candle sits in silver and sees all the grand people. How lovely it must be to shine for the grand people! but it was my lot to be tallow and not way!”
And so the candle came to poor people, a widow with three children, in a little, low room, right opposite the rich house.
“God bless the good lady for her gifts,” said the mother, “what a lovely candle that is! it can burn till late in the night.”
And then the candle was lighted.
“Fut, foi,” it said, “what a horrid-smelling match that was she lighted me with! the wax-candle over in the rich house would not have such treatment offered to it.”
There also the candles were lighted: they shone, out across the street; the carriages rolled up with the elegant ball-guests and the music played.
“Now they begin across there,” the tallow-candle noticed, and thought of the beaming face of the rich little girl, more sparkling than all the wax-lights. “That sight I shall never see again!”
Then the smallest of the children in the poor house, a little girl, came and took her brother and sister round the neck: she had something very important to tell them, and it must be whispered. “To-night we shall have just think!—To-night we shall have hot potatoes!”
And her face shone with happiness: the tallow-candle shone right into it, and it saw a gladness, a happiness as great as over in the rich house, where the little girl said, “We shall have a ball to-night, and I shall wear my big red sash!”
“It is just as much to get hot potatoes,” thought the candle. “Here there is just as much joy amongst the children.” And it sneezed at that; that is to say, it spattered; a tallow-candle can do no more.
The table was laid, and the potatoes eaten. Oh, how good they tasted! it was a perfect feast, and each one got an apple besides, and the smallest child said the little verse:
“Thou good God, I give thanks to Thee
That Thou again bast nourished me. Amen!”
“Was that not nicely said, Mother?” broke out the little one.
“You must not ask that again,” said the mother; “you must think only of the good God who has fed you.”
The little ones went to bed, got a kiss and fell asleep at once, and the mother sat and sewed late into the night to get the means of support for them and for herself. And over from the big house the lights shone and the music sounded. The stars shone over all the houses, over the rich and over the poor, equally clear and blessed.
“This has really been a delightful evening!” thought the tallow-candle. “I wonder if the wax-candles had it any better in the silver candlestick? I would like to know that before I am burn burned out.”
And it thought of the two happy ones, the one lighted by the wax-candle, and the other by the tallow-candle.
Yes, that is the whole story!
VERY old house stood once in a street with several that were quite new and clean. The date of its erection had been carved on one of the beams, and surrounded by scrolls formed of tulips and hop-tendrils; by this date it could be seen that the old house was nearly three hundred years old. Verses too were written over the windows in old-fashioned letters, and grotesque faces, curiously carved, grinned at you from under the cornices. One story projected a long way over the other, and under the roof ran a leaden gutter, with a dragon’s head at the end. The rain was intended to pour out at the dragon’s mouth, but it ran out of his body instead, for there was a hole in the gutter. The other houses in the street were new and well built, with large window panes and smooth walls. Any one could see they had nothing to do with the old house. Perhaps they thought, “How long will that heap of rubbish remain here to be a disgrace to the whole street. The parapet projects so far forward that no one can see out of our windows what is going on in that direction. The stairs are as broad as the staircase of a castle, and as steep as if they led to a church-tower. The iron railing looks like the gate of a cemetery, and there are brass knobs upon it. It is really too ridiculous.”
Opposite to the old house were more nice new houses, which had just the same opinion as their neighbors.
At the window of one of them sat a little boy with fresh rosy cheeks, and clear sparkling eyes, who was very fond of the old house, in sunshine or in moonlight. He would sit and look at the wall from which the plaster had in some places fallen off, and fancy all sorts of scenes which had been in former times. How the street must have looked when the houses had all gable roofs, open staircases, and gutters with dragons at the spout. He could even see soldiers walking about with halberds. Certainly it was a very good house to look at for amusement.
An old man lived in it, who wore knee-breeches, a coat with large brass buttons, and a wig, which any one could see was a real wig. Every morning an old man came to clean the rooms, and to wait upon him, otherwise the old man in the knee-breeches would have been quite alone in the house. Sometimes he came to one of the windows and looked out; then the little boy nodded to him, and the old man nodded back again, till they became acquainted, and were friends, although they had never spoken to each other; but that was of no consequence.
The little boy one day heard his parents say, “The old man opposite is very well off, but is terribly lonely.” The next Sunday morning the little boy wrapped something in a piece of paper and took it to the door of the old house, and said to the attendant who waited upon the old man, “Will you please give this from me to the gentleman who lives here; I have two tin soldiers, and this is one of them, and he shall have it, because I know he is terribly lonely.”
And the old attendant nodded and looked very pleased, and then he carried the tin soldier into the house.
Afterwards he was sent over to ask the little boy if he would not like to pay a visit himself. His parents gave him permission, and so it was that he gained admission to the old house.
The brassy knobs on the railings shone more brightly than ever, as if they had been polished on account of his visit; and on the door were carved trumpeters standing in tulips, and it seemed as if they were blowing with all their might, their cheeks were so puffed out. “Tanta-ra-ra, the little boy is coming; Tanta-ra-ra, the little boy is coming.”
Then the door opened. All round the hall hung old portraits of knights in armor, and ladies in silk gowns; and the armor rattled, and the silk dresses rustled. Then came a staircase which went up a long way, and then came down a little way and led to a balcony, which was in a very ruinous state. There were large holes and long cracks, out of which grew grass and leaves, indeed the whole balcony, the courtyard, and the walls were so overgrown with green that they looked like a garden. In the balcony stood flower-pots, on which were heads having asses’ ears, but the flowers in them grew just as they pleased. In one pot pinks were growing all over the sides, at least the green leaves were shooting forth stalk and stem, and saying as plainly as they could speak, “The air has fanned me, the sun has kissed me, and I am promised a little flower for next Sunday—really for next Sunday.”
Then they entered a room in which the walls were covered with leather, and the leather had golden flowers stamped upon it.
“Gilding will fade in damp weather,
To endure, there is nothing like leather,”
said the walls. Chairs handsomely carved, with elbows on each side, and with very high backs, stood in the room, and as they creaked they seemed to say, “Sit down. Oh dear, how I am creaking. I shall certainly have the gout like the old cupboard. Gout in my back, ugh.”
And then the little boy entered the room where the old man sat.
“Thank you for the tin soldier my little friend,” said the old man, “and thank you also for coming to see me.”
“Thanks, thanks,” or “Creak, creak,” said all the furniture.
There was so much that the pieces of furniture stood in each other’s way to get a sight of the little boy.
On the wall near the centre of the room hung the picture of a beautiful lady, young and gay, dressed in the fashion of the olden times, with powdered hair, and a full, stiff skirt. She said neither “thanks” nor “creak,” but she looked down upon the little boy with her mild eyes; and then he said to the old man,
“Where did you get that picture?”
“From the shop opposite,” he replied. “Many portraits hang there that none seem to trouble themselves about. The persons they represent have been dead and buried long since. But I knew this lady many years ago, and she has been dead nearly half a century.”
Under a glass beneath the picture hung a nosegay of withered flowers, which were no doubt half a century old too, at least they appeared so.
And the pendulum of the old clock went to and fro, and the hands turned round; and as time passed on, everything in the room grew older, but no one seemed to notice it.
“They say at home,” said the little boy, “that you are very lonely.”
“Oh,” replied the old man, “I have pleasant thoughts of all that has passed, recalled by memory; and now you are come to visit me, and that is very pleasant.”
Then he took from the book-case, a book full of pictures representing long processions of wonderful coaches, such as are never seen at the present time. Soldiers like the knave of clubs, and citizens with waving banners. The tailors had a flag with a pair of scissors supported by two lions, and on the shoemakers’ flag there were not boots, but an eagle with two heads, for the shoemakers must have everything arranged so that they can say, “This is a pair.” What a picture-book it was; and then the old man went into another room to fetch apples and nuts. It was very pleasant, certainly, to be in that old house.
“I cannot endure it,” said the tin soldier, who stood on a shelf, “it is so lonely and dull here. I have been accustomed to live in a family, and I cannot get used to this life. I cannot bear it. The whole day is long enough, but the evening is longer. It is not here like it was in your house opposite, when your father and mother talked so cheerfully together, while you and all the dear children made such a delightful noise. No, it is all lonely in the old man’s house. Do you think he gets any kisses? Do you think he ever has friendly looks, or a Christmas tree? He will have nothing now but the grave. Oh, I cannot bear it.”
“You must not look only on the sorrowful side,” said the little boy; “I think everything in this house is beautiful, and all the old pleasant thoughts come back here to pay visits.”
“Ah, but I never see any, and I don’t know them,” said the tin soldier, “and I cannot bear it.”
“You must bear it,” said the little boy. Then the old man came back with a pleasant face; and brought with him beautiful preserved fruits, as well as apples and nuts; and the little boy thought no more of the tin soldier. How happy and delighted the little boy was; and after he returned home, and while days and weeks passed, a great deal of nodding took place from one house to the other, and then the little boy went to pay another visit. The carved trumpeters blew “Tanta-ra-ra. There is the little boy. Tanta-ra-ra.” The swords and armor on the old knight’s pictures rattled. The silk dresses rustled, the leather repeated its rhyme, and the old chairs had the gout in their backs, and cried, “Creak;” it was all exactly like the first time; for in that house, one day and one hour were just like another. “I cannot bear it any longer,” said the tin soldier; “I have wept tears of tin, it is so melancholy here. Let me go to the wars, and lose an arm or a leg, that would be some change; I cannot bear it. Now I know what it is to have visits from one’s old recollections, and all they bring with them. I have had visits from mine, and you may believe me it is not altogether pleasant. I was very nearly jumping from the shelf. I saw you all in your house opposite, as if you were really present. It was Sunday morning, and you children stood round the table, singing the hymn that you sing every morning. You were standing quietly, with your hands folded, and your father and mother. You were standing quietly, with your hands folded, and your father and mother were looking just as serious, when the door opened, and your little sister Maria, who is not two years old, was brought into the room. You know she always dances when she hears music and singing of any sort; so she began to dance immediately, although she ought not to have done so, but she could not get into the right time because the tune was so slow; so she stood first on one leg and then on the other, and bent her head very low, but it would not suit the music. You all stood looking very grave, although it was very difficult to do so, but I laughed so to myself that I fell down from the table, and got a bruise, which is there still; I know it was not right to laugh. So all this, and everything else that I have seen, keeps running in my head, and these must be the old recollections that bring so many thoughts with them. Tell me whether you still sing on Sundays, and tell me about your little sister Maria, and how my old comrade is, the other tin soldier. Ah, really he must be very happy; I cannot endure this life.”
“You are given away,” said the little boy; “you must stay. Don’t you see that?” Then the old man came in, with a box containing many curious things to show him. Rouge-pots, scent-boxes, and old cards, so large and so richly gilded, that none are ever seen like them in these days. And there were smaller boxes to look at, and the piano was opened, and inside the lid were painted landscapes. But when the old man played, the piano sounded quite out of tune. Then he looked at the picture he had bought at the broker’s, and his eyes sparkled brightly as he nodded at it, and said, “Ah, she could sing that tune.”
“I will go to the wars! I will go to the wars!” cried the tin soldier as loud as he could, and threw himself down on the floor. Where could he have fallen? The old man searched, and the little boy searched, but he was gone, and could not be found. “I shall find him again,” said the old man, but he did not find him. The boards of the floor were open and full of holes. The tin soldier had fallen through a crack between the boards, and lay there now in an open grave. The day went by, and the little boy returned home; the week passed, and many more weeks. It was winter, and the windows were quite frozen, so the little boy was obliged to breathe on the panes, and rub a hole to peep through at the old house. Snow drifts were lying in all the scrolls and on the inscriptions, and the steps were covered with snow as if no one were at home. And indeed nobody was home, for the old man was dead. In the evening, a hearse stopped at the door, and the old man in his coffin was placed in it. He was to be taken to the country to be buried there in his own grave; so they carried him away; no one followed him, for all his friends were dead; and the little boy kissed his hand to the coffin as the hearse moved away with it. A few days after, there was an auction at the old house, and from his window the little boy saw the people carrying away the pictures of old knights and ladies, the flower-pots with the long ears, the old chairs, and the cup-boards. Some were taken one way, some another. Her portrait, which had been bought at the picture dealer’s, went back again to his shop, and there it remained, for no one seemed to know her, or to care for the old picture. In the spring; they began to pull the house itself down; people called it complete rubbish. From the street could be seen the room in which the walls were covered with leather, ragged and torn, and the green in the balcony hung straggling over the beams; they pulled it down quickly, for it looked ready to fall, and at last it was cleared away altogether. “What a good riddance,” said the neighbors’ houses. Very shortly, a fine new house was built farther back from the road; it had lofty windows and smooth walls, but in front, on the spot where the old house really stood, a little garden was planted, and wild vines grew up over the neighboring walls; in front of the garden were large iron railings and a great gate, which looked very stately. People used to stop and peep through the railings. The sparrows assembled in dozens upon the wild vines, and chattered all together as loud as they could, but not about the old house; none of them could remember it, for many years had passed by, so many indeed, that the little boy was now a man, and a really good man too, and his parents were very proud of him. He was just married, and had come, with his young wife, to reside in the new house with the garden in front of it, and now he stood there by her side while she planted a field flower that she thought very pretty. She was planting it herself with her little hands, and pressing down the earth with her fingers. “Oh dear, what was that?” she exclaimed, as something pricked her. Out of the soft earth something was sticking up. It was—only think!—it was really the tin soldier, the very same which had been lost up in the old man’s room, and had been hidden among old wood and rubbish for a long time, till it sunk into the earth, where it must have been for many years. And the young wife wiped the soldier, first with a green leaf, and then with her fine pocket-handkerchief, that smelt of such beautiful perfume. And the tin soldier felt as if he was recovering from a fainting fit. “Let me see him,” said the young man, and then he smiled and shook his head, and said, “It can scarcely be the same, but it reminds me of something that happened to one of my tin soldiers when I was a little boy.” And then he told his wife about the old house and the old man, and of the tin soldier which he had sent across, because he thought the old man was lonely; and he related the story so clearly that tears came into the eyes of the young wife for the old house and the old man. “It is very likely that this is really the same soldier,” said she, and I will take care of him, and always remember what you have told me; but some day you must show me the old man’s grave.”
“I don’t know where it is,” he replied; “no one knows. All his friends are dead; no one took care of him, and I was only a little boy.”
“Oh, how dreadfully lonely he must have been,” said she.
“Yes, terribly lonely,” cried the tin soldier; “still it is delightful not to be forgotten.”
“Delightful indeed,” cried a voice quite near to them; no one but the tin soldier saw that it came from a rag of the leather which hung in tatters; it had lost all its gilding, and looked like wet earth, but it had an opinion, and it spoke it thus:—
“Gilding will fade in damp weather,
To endure, there is nothing like leather.”
But the tin soldier did not believe any such thing.
Contoh Paragraf Present Perfect Tense
- You have, no doubt, heard of the CATACOMBS
- I have done this and that
- I have not yet confessed
- I have fallen asleep
- I have it now
- I have heard many respectable people say so
- I have fared
- I have not brought this quality forward now
- I have really overtaken more than one hare
- Have seen, keeps running in my head
- I have wept tears of tin
- I have had visits from mine
